Showing posts with label High Bridge. Show all posts
Showing posts with label High Bridge. Show all posts

5.22.2010

Just a Dreamer...

Much to my husband's presumed disappointment, I am not helping him with home maintenance chores today.

Instead, I am dreaming.

Last night I printed out the first twenty pages of what (I hope) is the final draft of The High Bridge. Diligently, I put it in a binder. Then I printed out my proposed bookcover idea and slipped it into the clear-view sleeve on the front of the 3-ring binder. Then I sighed and thought "Some day soon. I just know it."

Yes, I'm just a dreamer.

5.14.2010

Edit, Edit, Edit!


I'm currently working on editing my MS The High Bridge, but I'm having 'trouble'.

It's not because I don't know what or how to edit. The problem seems to be the media used while editing.

If I sit at the computer and go over the document, I don't find nearly as much as when I have the stack of printed material in front of me. The words leap into order when down in black and white, and I find lots of markup situations. The problem with editing hard copy is somehow I never find time to sit down and transfer the changes into the electronic document.

Does anyone else have this tendency of not doing well in a particular media? Do you find yourself editing better in one form over another?

5.02.2010

The Query Shark

For those who don't know what a query letter is, think of it as a job application for writers. It's a letter of introduction about a specific project in which you ask an agent or an editor to consider working with you for the purpose of publishing your writing. As I said in another post, with a job app, you can kinda shrug it off if you don't get the job. With a query rejection, it's like an announcement that your child is so ugly, it's going to be killed.

The query process has begun for The High Bridge.

Okay, okay, I've only sent out three so far. One rejection has already come back, which didn't create the immediate and visible reaction I expected, although the results have caused cracks through which a little lava has seeped (high blood pressure, argument with The Husband, over-intensity in other activities not writing related...)

It was only one rejection, I know. Even though I can claim a 33% rate of non-return, I shouldn't react too harshly for all that. The law of averages are inherently against me at that low volume, but still, I keep thinking I have to 'fix' it somehow.

Yes, I've gotten advice from many sources about writing a good query letter, but I'm one of those people who needs examples to support an explanation. If there are rules to be followed, I'm very much inclined to interpret them how it pleases me. Either through stupidity or stubbornness, my imagination will draw all the wrong conclusions.

So, I've been spending lots of time reading (and re-reading) a website called The Query Shark, by Janet Reid. Janet is a semi-mysterious figure, although her public persona is well known. Starting with Miss Snark, she's been giving advice (and high blood pressure -haha!) to querying writers in a sardonic yet amazingly helpful ways for at LEAST ten years (yes, since she was 19 - haha!) She's also a literary agent who knows her stuff, so if I glean anything for the total 'rip' of the submitted query letters, I should be ahead of the game.

Funny how writers say "write for yourself" but feel (for the most part) that someone has to read your creation in order to be fulfilled. It's a strange paradox.

4.30.2010

WAG #20 "Like a Virgin"




It's good to talk 'big'. It builds up your spirit, increases your drive, strengthens your heart.

The unfortunate consequence is if you talk 'big' to yourself too convincingly, the tumble back to reality just hurts that much more.

When it comes to talking big, no one is supposed to be better at it than a new writer sending out her first query, an experience I just 'enjoyed' starting on Wednesday when I shot off a couple of emails for my contemporary romance The High Bridge.

It was an interesting experience, writing that letter. I've been playing with my hook and my mini synopsis for several weeks and thought I had it down to a pretty eye-catching couple of sentences. But then came the dreaded "Why Are You The Best, Most Qualified Person To Write This Book?" paragraph at the end.

Sigh...Well...

Sigh...

I put it down as best I could, although I suspect it came across sounding a little "You're not good enough to write this book, so I have to do it myself" kind of attitude. If you want a romance story that involves back-country travel of abandoned railway right-of-ways through bear/mountain lion country, I'm your girl! Do you think Jackie Collins is going to know that the old Willys jeep is really pronounced "WILL ISS"? No! Will Nora Roberts know much about falling off a dirt bike when lightning strikes a nearby tree? N--- well, maybe, with some research.

The point is I know a lot about what I write for a novel. I don't know a lot about making ME sound like the only person qualified to do so.

You only have to make love once to no longer be a virgin. I've already received word (the dreaded "Dear Author" letter) that I'm no longer a virgin to the agency rejection system. I just don't want to be a rejection slut.

Time to rewrite the query letter, methinks. Need to learn a new way to talk 'big'.




WAG #20: The First Time” Everything we’ve ever done had a ‘first time’. Think of an activity (either of your own or something you observe of someone else) and write about the first time of that experience, and perhaps even compare it to subsequent experiences. Maybe even pick a moment that might have looked mundane from the outside, but made a significant change to the person experiencing it. Not a lot of rules, as usual… just let your imagination flow! www.indiadrummond.com

12.04.2009

NaNoWriMo and "The High Bridge"


Well, I’m back to the blog after a very hectic NaNoWriMo whirlwind project.

As I mentioned before, I’ve never written a novel in a month before. I’ve spent a month (many, actually) doing straight writing, but to have a set goal within a specific timeframe is an entirely new subject to me.

I’m happy to say that I was successful! On November 20th, I hit the 50,000 wordcount required to “win” the National Novel Writing Month ‘contest’, and on November 25th, I wrote my last line of the project bringing it to a count of 61,000+. There are drafts and then there are ROUGH drafts, and anything coming out of a NaNoWriMo wordrace is going to be very rough indeed. It should be. The point is to write, write, write and write some more, right? Well, since writing that last line, I’ve been doing a lot of editing and at the moment, the manuscript is up to ~ 68,000. Unless I come up with some genius idea, I don’t think I’ll get far beyond 70K.

And that’s fine.

In the past thirty-some-odd years, I've written a lot of things, from FanFict to Sci-Fi to Historic Romance, but this is the first time I've written anything that I feel might be publishable. Now is when writing gets scary. Now is when I have to learn how to sell myself. It's like a job interview for your dream job, only ten times as important. If you don't do well in a regular job interview, you can somewhat write it off as "you weren't exactly the right candidate for the job". If your manuscript is rejected, it's like being told that your baby is so ugly, they're willing to put it to death for you.

And here I thought I never wanted kids...

10.21.2009

NaNo '09 Character Sketch Stephen Montclair


I'm trying to get a feel for who my 'people' are. The male hero is a bit of an enigma to me still.

Stephen was a rich boy.

With a small sigh, he reminded himself that it is his parents who are rich, and his school mates at the prep school in which he was enrolled -- St Qualford Preparatory Academy – automatically assigned this affliction on him. Yes, they were all from rich families, and by sending a boy to St. Qual’s, they intended to have him trained to keep it that way. Even the Nuevo Riche parents planned to mold their progeny into the harsh, claw-for-it-all, heartless little bastards they themselves had turned into. That’s how they got rich; the only way they did.

It was around the age of twelve before he realized it was an affliction; death threats against his father, armed vehicles for travel when he arrived home, isolation, secrecy, even straight out hiding, but when he was a young boy, he believed there was no other way to live. His bathtub was marble, his toy boats were radio controlled, his clothes – rarely the same items two weeks in a row – were immaculately tended, and his nanny treated him with a kind of reverence that was never spared on the rest of the staff. His playmates were generally the other rich parents’ children, and they all acted like the money was already theirs. And they behaved as though his parents’ wealth would soon be theirs, as well.

A familiar sight to his left roused him from thought, and with irritation he pressed hard on the brakes, skidding the Ferrari to a halt. Be damned if he didn’t drive right past his parents’ back gate! Glancing in the dark rearview mirror, he shifted into reverse and performed a three-point turn in the deserted street. At the correct driveway, he pulled in and punched his old code on the keypad. He wasn’t terribly surprised when it didn’t unlock the gate. His good ol’ paranoid parents!

“Mummy? Daddy? I’m hooome!” he breathed sardonically in his Upper Class Twit of the Year Award voice, borrowed from a Monty Python sketch. He picked up the handset and dialed the extension for the groundskeeper’s cottage.

“Yes?” came the brusque voice, completely without friendliness.

“Stew? It’s Stephen. I’m home for a visit.”

“STEVIE!” came the response so loud and exuberant that he had to hold the phone away. “Whacha doin’ back here? We thought ya were still in school! You didn’t get kicked out, didya? You old punk! You must have done somethin’ really bad if yer sneakin’ in the back way! What kind of trouble ya in?”

Stephen brought the phone closer, although completely prepared to jerk it away again if volume control were needed.

“Stew, would you open the gate? I’ve had a bit of a drive. I started out this morning in Chicago, and…”

“Sure, sure, Stevie. Hold on while I get my glasses.”

Despite his dour mood, Stephen smiled as the handset slammed on the cradle, and he gently placed his back on the hook. Stew Pavlon had been the groundskeeper for twenty-seven years, long before Stephen was even born, and in all that time had probably never brought his glasses with him to answer the phone, nor had he ever politely hung it up. It was part of his charm. Some predictable things were good.

It took nearly three minutes before the whirr of the gate controller prompted Stephen to put the Ferrari in first gear and roll hurriedly through before Stew intentionally reversed the gate short of being fully opened, all in the spirit of security. He waved towards the groundskeeper’s cottage, even though it wasn’t in view, and continued down the drive towards the mansion.

Before he even reached the house, he knew his parents were having one of their famous parties. Looking above the trees down into the valley, the evening mist had a faint glow it got when the house was lit up and that only happened when guests were around. Otherwise, the house was kept dark and discreet, which saved a great deal of money. His parents may have been rich, but his father could pinch a penny until the head side was flush with the tail side. However, parties were always his mother’s idea. When he cleared the woods, he saw Mummy was having quite the soiree. Between the welding arc gleam of every bulb in the house glowing and the mishmash of valet-parked cars, Stephen was certain all of Denver Society was in attendance. He found an open spot by the catering truck by the kitchen and heaved a sigh. Not good timing for this sort of thing.